Summer 2013: Prose
Introduction
At VoiceCatcher, we don’t set “themes” for our journal, instead preferring to discover them among the wealth of submissions we receive. Themes tends to emerge on their own and feel like a gift wrapped in a Tiffany blue box when they do. Early on in the reading process, the theme that emerged among the prose entries seemed to be “roles” – women’s roles as daughter, mother, wife. But as I neared the end of the reading process, the theme shifted to “transformations” – illness, divorce, death, rebirth.
At first, I felt some sort of weird tension, like I had to decide between the two. Now it seems perfectly reasonable that they exist in this issue side-by-side. For we do not stay static in one role. We start as daughters and become mothers – where hope and pain are poignantly portrayed in “Your Hand at Your Throat.” Then we are lured back into our role of daughters as seen in “Black Sharpie.” “Something Permanent” and “For He’s a Jolly Good Fellow” show us the trajectory of going from single to married life and then finding ourselves alone again. We are healthy and then not healthy, and – hopefully – become healthy again in “Diagnosis.” We yearn for a kind of rebirth that is ached for in “After the World Ends” and gloriously achieved in “Breathing Underwater.” These are all corporeal stories, stories of the body. Our bodies. Ourselves.
It was an honor and a joy to work with each of the prose authors featured in this issue. Reading their work taught me a little bit more about what it means to be human. I can’t think of any higher aim for literature.
Liz Prato
Guest Prose Editor
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Rich, strong, poignant, humorous and inspiring. We’ve caught twenty never-before-published poems by sixteen unique voices. |
Seven talented women search for themselves in their bodies, their family, themselves. |
Established dynamos and aspiring voices add colorful visions to our third issue. |
Language leaps off the page in the poetry and prose of five young authors who delight in sensory detail. |
Meet the authors and artists who make this Summer 2013 edition a rich, varied and engaging experience. |
LETTER FROM THE EDITORS
POETRY Abandoned Church by Tanya Jarvik Commencement by Kelly Running Depoe Bay by Wendy Thompson Directive by Cristina White Hawk Moth by Wendy Thompson How to Recycle Love Letters by Jennifer Dorner I Swapped a '74 Mustang for This by Jennifer Fulford Polaroid of My Mother by Cindy Stewart-Rinier Lover, Molester, and Maidens (Haibun) by Margaret Chula Savory by Pat Phillips West Seascape by Marjorie Power Suspended by Grace Kuhns The Hand-Off by Pattie Palmer-Baker The Ride by Linda Ferguson The Ticking Shirt by Tricia Knoll Three Facts about Sperm by Ursula Whitcher Three True Stories by Penelope Scambly Schott Today at the Library by Pat Phillips West Trapped Birds by Grace Kuhns You, who will be alive and reading after I'm gone by Penelope Scambly Schott PROSE After the World Ends by Kait Heacock Something Permanent by Ashley-Renée Cribbins Your Hand at Your Throat by Karen Guth Black Sharpie by Anne Gudger Diagnosis by Helen Sinoradzki For He's a Jolly Good Fellow by Laura Stanfill Breathing Underwater by Valerie Wagner ART Unity by Anne John Rearguard by Anne John Speculation by Anne John Wire by Jocelyn White Taitian Trio by Nani Chesire Catch Your Breath by Nani Chesire YOUNG VOICES We Will Read to You by Rebecca Cleveland-Stout Strawberry Party by Natalie Lerner A Young Night by Clara Beaumont Beach Wanderer by Isabella Waldron Light and Dark by Colette Au CONTRIBUTORS |